Economic assingment Assignment Example | Topics and Well Written Essays - 750 words

Economic assingment - Assignment Example The demands input or resource is determined from the investment for a great or administration that uses the asset. Makers must get a value that takes care of the minor expense of creation. As the cost of the great ascents, makers are ready to create a greater amount of the great despite the fact that there is an expanding minimal expense. This demonstrates that there will be an expanded labor from Latin American market for bananas because of the interest. Nonetheless, assessments and subsidies affect the productivity of delivering a decent. In the event that Latin American market for bananas needs to pay more expenses, the supply bend would movement to the left. Then again, if organizations got a subsidy for delivering decent, they would be eager to provide a greater amount of the great, hence moving the supply curve to the right. A development or change popular happens when there is a substitute amount asked for at everyone expense. This is clear recalling that Propane prices have soar because of the propane lack with costs up near 20 pennies in a month to a national standard of $3.48. Rhode Island has the most-costly propane costs with $4.01 a gallon while Nevada recording least at $1.92 for every gallon. If there is, a lower sum asks for, the investment curve has moved left. Instantly that the investment is high, esteem difference is clear. The requests information or asset is dead set from the speculation for an incredible or organization that uses the benefit. Considering the perspective of the system of generation, we find that if an alternate framework or method of era is made. In any case, appraisals and subsidies influence the interest of carrying a fair. In the case, propane costs go up, and the supply twist would development to the left. On the other hand, if associations got a subsidy for conveying average, they would be willing to give a more noteworthy measure of the extraordinary,

Strategic Management Decisions Assignment Example | Topics and Well Written Essays - 5000 words

Strategic Management Decisions - Assignment Example The rapid sociological changes also contribute to the changing business environments, especially with respect to the entertainment market. Governmental policies and laws also affect where and how firms choose to compete. All these factors affect not only the general competitive environment in which the firm is operating but also the strategic decisions made by companies to combat the competition within the industry. In general the business strategies are based on the firm's ability to capture and convert the external and internal forces into desired outcomes. Thus "an integrated understanding of the external and internal environments in which the firm is operating is essential for the firm to understand the present and predict the future."(S.A. Zahra & Geroge 2002) A firm's external environment can be broadly divided into general, industry and competitor environments. "The general environment is composed of dimensions in the broader society that influence an industry and the firms within it" (L.Fahey 1999). These dimensions can be grouped under the following environmental segments: For formulating strategies to steer the firm through the challenges being posed by these environmental forces, a careful evaluation of the firm's strengths in these areas need to be analysed and for that purpose the 'PESTLE' analysis comes handy. An in-depth analysis of the firm's competitive ability is one ... PESTLE analysis like the PEST analysis involves identifying the political, economical, socio-cultural, technological, legal and environmental influences on an organization. PESTLE analysis is simple, quick and uses the basis key perspectives of an organization. The advantage of this tool can be found in encouraging the management to adopt proactive and structured thinking in its decision making process. 1.3 PESTLE Analysis with respect to Live Entertainment Market in UK: Mintel reports that in spite of the stiff competition from other form of entertainments, live entertainment still holds the centre-spot with 48 percent of the UK adults are in favour of live entertainment and 54 percent of them have attended a live music, a play, a stand-up comedy or karaoke in the past six moths. Even among these the live music is proved to be the most popular type of event. Political: Any changes in the governments would affect the policies relating to rates and taxes on the entertainment business may affect the general growth of the business as being a leisure sector usually subjected to additional tax burden. There may be changes in monetary policies due to political reasons that may result in exchange fluctuations to have an impact on the profitability of Live Nation as Live Nation is basically a non-UK origin entity, Economical: The predictions for the UK economy till the year 2010 are that there will be a continuous growth of 2-3 percent annually in the consumer expenditure despite a slowing down of the economy and the personal disposable income is also expected to increase by 3-4 percent. These two variables have a definite positive impact on the consumers' willingness to spend on leisure activities including live music. The other economic factor that may

Smog Pollution And Problems It Causes Environmental Sciences Essay

Smog Pollution And Problems It Causes Environmental Sciences Essay Smog pollution is a major problem that this planet is suffering from everyday. It has affected our homes, weather, and health. It is a very dangerous situation for us if we do not do anything about it. Smog pollution is caused by chemicals, automobiles, factories and corporations. The greatest thing we can do as a society is try to find a way to help prevent and stop smog pollution. If the people on this planet do not do anything to stop smog pollution we are going to have a BIG problem and it will hurt us in the future. We need a plan and we need to put a stop to smog pollution. The American Lung Association (ALA) has been trying to find ways to help stop and prevent smog pollution from hurting us and the environment. If we can just do our part and find a way to prevent this problem from getting any bigger, it will benefit us all. We all have heard of smog pollution, but do we really know what it is. Smog pollution has many causes that can be hazardous and dangerous to our health and well being. The term smog pollution is also known as photochemical smog. It is formed by the interaction with sunlight with different types of chemicals in earths atmosphere (Oblack). The main component of smog pollution or photochemical pollution is ozone. Ozone is in the earths stratosphere, which the shields the earth from dangerous UV radiation from the sun. The problem with ozone is when it touches down on the earths surface it can be very dangerous and can cause serious health problems for people on the planet (Oblack). The ground level ozone is made by the emissions of automobiles that put nitrogen oxide into the air, which is caused by the vehicles exhaust fumes (Oblack). The organic components from the fumes combined with the ozone and fume evaporation that combines with sunlight, causes smog pollution on the planet (Oblack). Many people try to find ways to help avoid smog in a more planet friendly environment, so some people use substitutes for their everyday use. There is just one problem with that, and that is the sun. Many people dont understand that sunlight and warm climates cause pollution. For example, places like California, Florida, and Arizona and even North America are some of the most polluted places in the country (Oblack). Another problem that causes an increase in smog pollution is the increased usage of fossil fuels for industrial, heating, and of course transportation purposes (All that smog). Also, cutting down, burning trees, and disposing of agricultural and organic waste can also lead to emissions of smog pollution and harmful problems for the planet (All that Smog). Sunlight mixed with different types of dangerous chemicals (se condary pollution) also makes it difficult to stop smog pollution from occurring on the surface of the planet (All that Smog), which creates another big problem. Climate is a major factor for the cause of smog pollution. Many places in the world can try to be more environmental friendly to help save our planet. Some people ride bicycles instead of driving cars. Other people try to reduce their use of using fire to warm themselves. The only problem that these people cannot get away from is something that they cannot control, and that is the sun. California is ranked in the top 10 most polluted areas in the United States. Ozone pollution that is caused by the sun has a major affect on this planet. Smog and air pollution is having a serious impact on the environment and can condemn all ecosystems (seirraclub). The reason why the sun causes so many problems is because the ozone layer that is supposed to protect planet earth is practically destroyed. Without the protection, the sun is able to shine radiation onto the planet and is the main reason for many health issues that people go through every day. Issues like skin cancer, radiation poisoning, and sun burn are having fatal affects on people. This type of pollution not only harms humans, but it can also harm wild life and the environment. Smog can harm different plants, which can lead to damaging consequences. Because the plants are damaged, it makes it hard for plants to make and save food for themselves in their living environment (seirraclub). In addition, the sun and smog can destroy leaves and plants it would make many of the plants vulnerable to getting diseases. And, they cannot defend themselves from different types of bugs and insects that can cause a huge decrease in plant life (seirraclub). Smog pollution is a yearly problem for places like Texas, Georgia, Florida, and many other southern and sunny parts of the world, but there is also a big increase in smog pollution in the summer (seirraclub). This is caused by strong sunlight that burns the earths surface. However, the one thing that is helping smog pollution is all of the problems that are on this planet. A ll of the power plants, automobile emissions, industrial, and chemical vapors are other causes of pollution (seirraclub). Climate changes are part of the problem as well. Within the months of June, July, and August, it makes it harder to try and control the smog pollution, due to the sun. This planet has gone through billions of years of evolution. It survived dinosaurs, the ice age, and the black plague, but because of smog pollution this planet might not be able to survive this new attack. A major problem smog pollution is causing is health concerns for the public. Smog pollution is affecting human health because it is making it harder to breathe the smog induced air. Because of this and sun radiation, this is resulting in many fatalities, including skin and lung cancer. Peoples lungs and hearts can be dangerously affected by smog and air pollution (Oblack). Many people are still skeptical about smog pollution, but one thing that is known is long term exposure can result in dangerous and even fatal heath affects to people (Oblack). Some of the long term affects caused by exposure to smog pollution are problems breathing, coughing, wheezing, pneumonia, bronchitis, inflammation of the pulmonarys, lung cancer, heart problems, asthma like symptoms, pre mature aging of lungs, and last, but not least, death (Oblack). Smog pollution, even in small doses, can be very dangerous and harmful to all people. The American Lung Association estimated that 48 percent of people in the w orld live with very high levels of smog (seirraclub). Even though exposure to smog is dangerous, there are three types of people who can be severely damaged from smog, which include children, the elderly, and people with respiratory problems (seirraclub). The Environmental Protection Agency (EPA) has created the Air Quality Index which lets you check the air density and pollution level around your areas (seirraclub). Furthermore, The Department of Motor vehicles have been trying to develop a plan to reduce vehicle emission and try to improve on air quality for the planet and help save the planet (Malone). The DMV has also been trying to encourage the residents of the United States to help stop smog. They are trying to do their part by asking people to report anyone who has visible exhaust coming out of their automobiles (Malone). If we can all do our fair share and help support this plan we can be able to help stop smog pollution. In all, smog pollution is a major concern for our environment and this planet. If we do not find a way to try and stop smog pollution, we will have many more health problems. Fortunately, there are people who are trying to find ways to stop smog pollution. Many people who are trying to create plans that can help bring this planet back to a healthier state. In 1996, smoking vehicle program was passed that stated that anyone who sees smoking exhaust coming from cars, trucks, or any other motor vehicles were to voluntarily report it to the authorities as a way of preventing polluted air (Malone). It is also there to help educate people about smog pollution and what they can do to help stop it (Malone). The American Lung Association (ALA) also came up with certain help to bring attention to the issue of smog pollution. They advised people to pay more attention to the Air Quality Index (AQI) around their area. They tried to educate people about Ozone action days and how not to ignore them . Finally, ALA attempted to help people get familiar with how smog adversely affects their health (Oblack). The Environmental Protection Agency (EPA) takes it upon them to check evidence every five years to see whether or not the situation of smog pollution has changed for better or worse (seirraclub). It is very simple to stop smog pollution. We can all use our cars, trucks, and motorcycles, sparingly. We all must try to do our fair share and we must be able to bring awareness to how dangerous the sun can really be. We need to fight back against smog. If we do not do anything about it, this planet and everything on it will suffer. Group against Smog and Pollution (GASP) is a non-profit citizens group in Southwestern Pennsylvania working for a healthy, sustainable environment. GASP was founded in 1969, with a group of volunteers who were worried about air quality issues here in Pennsylvania. GASP has been a diligent watchdog, educator, litigator, and policy-maker on many environment al issues, with a focus on air quality in the Pittsburgh region. Their objective is to teach and enlighten the public about pollution and its remedies. Their Mission Statement is will act to obtain for the residents of Western Pennsylvania clean air, water, and land in order to create a healthy, sustainable environment and quality of life to which we are entitled (Groups against Smog and Pollution.) Obviously GASP is doing their part, but what are we doing as individuals to help?

Acid Rain :: essays research papers fc

Acid Rain INTRODUCTION: Acid rain is a great problem in our world. It causes fish and plants to die in our waters. As well it causes harm to our own race as well, because we eat these fish, drink this water and eat these plants. It is a problem that we must all face together and try to get rid of. However acid rain on it's own is not the biggest problem. It cause many other problems such as aluminum poisoning. Acid Rain is deadly. WHAT IS ACID RAIN? Acid rain is all the rain, snow, mist etc that falls from the sky onto our planet that contains an unnatural acidic. It is not to be confused with uncontaminated rain that falls, for that rain is naturally slightly acidic. It is caused by today's industry. When products are manufactured many chemicals are used to create it. However because of the difficulty and cost of properly disposing of these products they are often emitted into the atmosphere with little or no treatment. The term was first considered to be important about 20 years ago when scientists in Sweden and Norway first believed that acidic rain may be causing great ecological damage to the planet. The problem was that by the time that the scientist found the problem it was already very large. Detecting an acid lake is often quite difficult. A lake does not become acid over night. It happens over a period of many years, some times decades. The changes are usually to gradual for them to be noticed early. At the beginning of the 20th century most rivers/lakes like the river Tovdal in Norway had not yet begun to die. However by 1926 local inspectors were noticing that many of the lakes were beginning to show signs of death. Fish were found dead along the banks of many rivers. As the winters ice began to melt off more and more hundreds upon hundreds more dead fish (trout in particular) were being found. It was at this time that scientist began to search for the reason. As the scientists continued to work they found many piles of dead fish, up to 5000 in one pile, further up the river. Divers were sent in to examine the bottom of the rivers. What they found were many more dead fish. Many live and dead specimens were taken back to labs across Norway. When the live specimens were examined they were found to have very little sodium in their blood. This is typical a typical symptom of acid poisoning. The acid had entered the gills of

Alfred Adler and His Personality Theory

Alfred Adler was born in the suburbs of Vienna to a grain merchant and his wife on the 7th February 1870. He was the third child and second son of his parents. He could not walk until the age of four due to his lingering rickets. At the age of five, he went down with a chronic pneumonia which nearly took his life, and on recovery, resolved to become a medical doctor, even at the very young age.He retained this ambition throughout his school years, although he was merely an averagely clever student who, due to a period of lack of seriousness with and loss of commitment to his studies, tended towards becoming a dullard. This tendency made his teacher write him off as one not cut out for academic success— and his woeful performance at Mathematics seemed to testify to this pronouncement. However, his father’s belief in his abilities and his own self-assurance and self-esteem spurred him on to renewed commitment and revival.He proved his teacher’s pronouncement wrong: Not only did he rise to become the best Mathematics student, he pursued his medical ambition to the University of Vienna where he achieved his medical degree. During his schooling years, Adler was â€Å"quite outgoing, popular and active† (Boeree, George, 2006).He had a strong personality and firm resolution (qualities which explain why he could sustain and realize his medical ambition in the face of his teacher’s despise and pessimism). Adler began his medical career as an opthamologist, but later turned to general medical practice.He established his office somewhere in the lower class part of Vienna, across from an amusement park-cum-circus. Most of his clients and patients were circus performers. This fact gave him the opportunity to observe, study and investigate their unusual strengths and weaknesses, which they demonstrated through their relative physiological resistances and tolerance, leading him to the formulation of a theory he termed â€Å"organic inferior ities and compensations†. He later switched to psychiatry and joined Freud’s discussion group.In this group, he got the opportunity to develop and articulate his organic theory, to which Freud agreed; however, his subsequent theory of the aggression instinct were against Frend’s beliefs, just as was his suggestion that the sexual notions which Freud upheld should be taken figuratively rather than literally.Alfred Adler sought to investigate the human personality and behaviour: what fundamentally made up the human personality and what made all human beings behave the way they did, irrespective of their backgrounds, individualities, privileges or lack of them.His conclusions, he formulated as a theory of personality In the course of the Second World War, Alfred became a Physician for the Austrian army, first serving on the Russian front before moving to the children’s hospital. This change gave him the opportunity for a first-hand observation of the war vict ims and causalities.It probably was the shock and horror from these direct observations that made him develop an interest in the concept of social interest, coming to the conclusion that â€Å"if humanity was to survive, it had to change its ways. † (George B, 2006).In 1926, he went to the United States to work as a lecturer. He died of heart attack in 1937 in the course of his lecturing.ALFRED ADLER’S PERSONALITY THEORYAlfred Adler’s theory of personality offers the underlying motivation not only of all human behavior but also for the development of the human personality. He postulated ‘a single â€Å"drive† or motivating force behind all our behavior and experience’ (Boeree, 2006). He believed that every human action, rational or irrational, arises out of an urge for perfection, out of an underlying desire for the attainment of some ideal.However, because he believed no two human beings are exactly alike, even in their responses to this â⠂¬Å"single† drive, he called this theory â€Å"Individual Psychology. † The â€Å"ideal†, also termed â€Å"perfection†, however, points to an ultimate image of himself that every individual often unconsciously harbors as the goal to which he or she must attain.Adler termed this ultimate image â€Å"fictional finalism† (Alfred Adler (1870-1937), 2007). Thus, every human action or behavior, according to Adler, is an attempt to draw nearer to the realization of his or her potentials and, ultimately, to realization of the â€Å"fictional finalism†.This attempt, which he called â€Å"striving for perfection†, is sometimes referred to as â€Å"striving for superiority† (Alfred Adler (1870-1937), 2007) ,to give it the suggestion of something attainable and realizable, and to distinguish it from the impracticality of idealism and perfectionism (â€Å"in psychology, [idealism and perfectionism]) are often given a rather negative connot ation. Perfection and ideals are, practically by definition, things you can't reach. Many people, in fact, live very sad and painful lives trying to be perfect!† ([Boeree, 2006]).â€Å"Superiority† in the above context refers to a state or situation towards which every human action is directed—be it the satisfaction of a physical instinct, meeting financial or cultural obligations or working towards the realization of a political objective.A â€Å"superiority† or â€Å"betterment† is always in view, motivating the action. ‘According to Adler â€Å"We all wish to overcome difficulties. We all strive to reach a goal by the attainment of which we shall feel strong, superior, and complete. â€Å"’ (Alfred Adler (1870-1937), 2007).The striving towards â€Å"superiority† is therefore driven by the fundamental and all-inspiring striving towards the realization of â€Å"fictional finalism†. The â€Å"fictional finalism† i s the hidden force that drives, motivates, informs and decides. It induces the urge for self-improvement. It is the spirit of all actions, however commonplace or ordinary, the heart of every aspiration, determining the range of all material or immaterial acquisitions— of all â€Å"treasures†: it defines them and â€Å"draws them to itself† in an attempt towards self-fulfillment and self- realization. Thus, â€Å"Where your treasure is, there will your heart also be† (Mathew 6:21).ASPECTS OF ALFRED ALDER’S THEORYFour aspects of Alder Alfred’s theory have been identified: The development of personality, striving towards superiority, psychological health and unity of personality (Fisher, 2001).THE DEVELOPMENT OF PERSONALITYThe development of personality begins in childhood, with the â€Å"striving for superiority† referred to above and the at-first unconscious attempts towards the realization of potentials: â€Å"children observe more c ompetent elders around them and this motivates them to acquire new skills and develop new talents (Weiten, 1992, p. 484). † (Alfred Adler (1870-1937), 2007).These attempts at acquisition of new skills and development of new talents, Adler attributes to a healthy feeling of inferiority – inferiority to the elders who have cultivated and now exhibit such skills and talents, and who now stand to be â€Å"looked up to† ( being â€Å"superior†) by the children. With time, as the potentials develop, and age and physical maturity advance, fictional finalism in the developing child makes itself increasingly felt, with such fundamental accompanying manifestations as the urge for self-assertion and the associated desire to have to control over one’s life, enjoying freedom of individuality.â€Å"People [become] focused on maintaining control over their lives. † (Fisher, 2001). These manifestations are perhaps better recognized in such phenomena later in the child’s life as: an uncompromising choice of career or life partner; inflexible pursuits of a political or sport ambition, or the devotion to some preoccupying or obsessing religious or even recreational cause.Interference or intrusion in the pursuit of these individual assertions of personality are naturally resisted by the man or woman in question, because hand in hand with the self-assertive realizations of the fictional- finalism urges goes a desire to retain control over one’s life. Acquiescing to such interferences is, therefore, unnatural for a personality.STRIVING TOWARDS SUPERIORITYSuperiority, according to Adler Alfred, is not â€Å"superior over, not competition† (Adler Alfred’s â€Å"individual Psychology†).It is, rather, a healthy urge towards self-fulfillment and self-actualization.. Every endeavor, every attempt to achieve or merely to do something is, consequently, an attempt to attain to higher or â€Å"superior† levels of personality development—an â€Å"upward movement† or â€Å"ascent† to a better situation or condition of physical, mental or psychological state. Striving towards superiority is, thus, an integral part of living; it is â€Å"innate in the sense that it is a part of life.Trhoughout [sic] a person's life, Adler believed [a person] is motivated by the need to overcome the sense of inferiority and strive for ever higher levels of development. † (Adler Alfred’s â€Å"individual Psychology†). The striving for superiority begins with the spirit of the following Biblical recommendation: Thorns and snares are in the way of the froward: he that doth keep his soul [as well as his mind, drives and impulses] shall be far from them.Train up a child in the way he should go: and when he is old he will not depart from it. (Proverbs 22: 5-6). In the first sentence, â€Å"keeping† of the soul – and by implication, the mind, drives and impulse s – suggests the significance of early childhood upbringing to the development of the personality. â€Å"The froward† is deducibly the individual of an unhealthy personality, one who does not â€Å"keep†, i. e. , pay attention to and take care of, the nature and promptings of his or her inherent fictional finalism.The next sentence contains a practical, resolving recommendation: â€Å"Train up a child in the way he should go: and when he is old he will not depart from it† Two suggestions are perhaps apparent from this recommendation: one, that the social, educational and moral upbringing of the child is fundamental to the health of its drives and impulses (to its â€Å"soul†), and, consequently, to the direction of its fictional finalism (the entirety of its pursuits, habits, peculiarities and voluntary socialization); two, that the image of the fictional finalism is composed essentially of the childhood orientation, which more or less â€Å"compe ls† the child to keep to paths of this image later in life, that is, â€Å"prevents† the child from â€Å"departing from it when he is old†.This deduction does not, however, lessen the force of Adler’s assertion of individuality of personality; for the quite observable fact that no two children are exactly alike suggests that the individuality of the child plays a role in its adaptation to and development through its childhood orientation. Identical twins under identical childhood upbringing will therefore never develop identically.While they might demonstrate similar good or bad upbringing, they will certainly not behave or think alike, nor will they aspire towards identical self-realizations. Therefore, â€Å"striving towards superiority† depends more on the individuality of the child and its upbringing than on the social, educational or cultural influences to which the child may be later subjected.PSYCHOLOGICAL HEALTHThe psychological health of a personality depends on a number of factors suggested by the concept of â€Å"striving towards superiority† and by the fact that â€Å"Everyone feels inferior to a degree, which motivates us to get better†¦Ã¢â‚¬  (Alfred Adler (1870-1937), 2007). These factors include:(i) Healthy inferiority feelings.(ii) Positive fictional finalism.(iii) Absence of idealism and perfectionism.In the light of the preceding subsections, these factors indicate the relevance of the assertion that â€Å"Good understanding giveth favour; but the way of transgressors is hard. † (Proverbs 13:15). Ensuring health of inferiority feelings, helping the development of a positive fictional finalism and working towards the absence of idealism and perfectionism, all naturally require â€Å"good understanding† of the workings of the personality . Such an understanding will prevent the development of a â€Å"hard†, â€Å"transgressing† personality—a personality overste pping all limits of rationality and propriety in the urges and the actualization of its self-image.(i) Healthy Inferiority feelings: Adler was said (Fisher, M. 2001) to describe inferiority feelings as â€Å"feelings of lack of worth†, which he believed to motivate the individual towards striving for superiority. However, as with everything, there are healthy and unhealthy inferiority feelings.These two kinds are naturally to be differentiated through the nature of the psychological and impulsive effects each induces. Healthy inferiority feelings, as is shown above, are progressive; unhealthy inferiority feelings, retrogressive. Unhealthy inferiority feelings can be named apart from healthy inferiority feelings by terming them â€Å"inferiority complex†, which Oxford Talking Dictionary (1998) defines as â€Å"an unrealistic feeling of general inadequacy caused by actual or supposed inferiority in one sphere†¦Ã¢â‚¬ The lack of â€Å"reality† in these feeli ngs already marks them as undesirable and counter-productive. Further in support of their undesirableness is the statement from Brainmeta (2007): People might cope with an inferiority complex by becoming tentative, helpless, and lazy, or by engaging in behavior, called overcompensation.Overcompensation involves trying to hide one's sense of inferiority from others and even from oneself. People who overcompensate might be vocal about their successes and qualities and exaggerate them. Also, they tend to get wrapped up in status, power, and materialism. They believe all of these things give the appearance of superiority (Weiten, 1992, p. 484). †The fostering and the sustenance of healthy inferiority feelings, as is suggested by the excerpt from the Book of Proverbs above, demand knowledge or â€Å"good understanding† of personality psychology—knowledge of such social and familial conditions as might cause psychological and personality irregularities. One source of s uch good knowledge is the implications or ramifications of Adler Alfred’s theories of personality and his assertions in the process of formulating these theories. For instance, Adler was said (Fisher, 2001) to maintain â€Å"that personality difficulties are rooted in a feeling of inferiority deriving from restrictions on the individual's need for self-assertion. † This statement clearly recommends freedom of self-assertion for children and adults alike.However, marrying this suggested recommendation to that of the Book of Proverbs excerpted above (which is another source of â€Å"good understanding†) modifies this recommendation and keeps it within limits: it suggests that freedom of assertion must be within the limits of a sound upbringing and realistic self-discipline.(ii) Positive fictional finalism and (iii) Absence of Idealism and Perfectionism are both clearly dependent on the existence of healthy inferiority feelings. The soul of all aspirations resides as much in the impulses of inferiority feelings as it does in those of fictional finalism. In other words, an individual’s fictional finalism determines the nature (and, therefore, the health) of his or her inferiority feelings.Idealism and perfectionism, as has been suggested above, can lead to tormenting self-criticisms due to the high expectations their bearer has of him or herself. It is understandable that both can derive from an attempt to overcompensate for inferiority complex— to make up for the unhealthy inferiority feelings that have developed from an unhealthy personality.UNITY OF PERSONALITYWith his postulates that there is ‘a single â€Å"drive† or motivating force behind all our behavior and experience’ (Boeree, 2006), and that â€Å"the conscious and unconscious worked together to achieve the goals of self-improvement and fictional finalism† (Alfred Adler (1870-1937), 2007), Alfred Adler suggested the existence of unity of pers onality.First, if the conscious and the unconscious work towards the common goal of self-improvement and fictional finalism, then every conscious feeling, thought, or emotion of a human being, be they pleasant or unpleasant, unite with his or her every unconscious feeling or emotion towards the fulfillment of these goals. The goal, however, is always striven towards, since it is the â€Å"motivating force behind all †¦ behaviour and experience† (Boeree, 2006).Consequently, every conscious feeling and thought is unceasingly in union and co-operation with every unconscious feeling and thought towards the attainment of the common goal of self-actualization. Second, if the conscious and the unconscious are, consequently, unceasingly united, it follows that the goals of self-improvement and of fictional finalism are in a ceaseless union.However, â€Å"Adler postulated that, beyond general [self-] improvement, each person has an ideal image they are trying to achieve†¦. This image of the perfect self is called the fictional finalism (Elverud, 1997). † † (Alfred Adler (1870-1937), 2007). Consequently, standing â€Å"beyond† the goal of â€Å"general improvement† (and connected with this goal), fictional finalism unites the urge for self-improvement, the conscious and the unconscious for a common purpose, and therefore forms the centerpiece of every drive and impulse of the personality. Therefore, unity of personality is the joint striving of every conscious and unconscious emotion, thought, feeling and action towards ultimate self-actualization.Adler therefore believed that there is an agreement among every aspiring, desiring, thinking, and acting of a human being: that unhealthy feelings of inferiority indicate the existence of unhealthy fictional finalism; that a restricted self-assertion and incomplete control of ones life can be recognized through the restricted thinking, feeling and acting of the individual in question ; that the extent of the realization of potentials is reflected in the extent of freedom of thought, opinion, speech and action of an individual†¦These deductions find support in a figurative appreciation of the following Biblical excerpt: â€Å"Every man is brutish in his knowledge: every founder is confounded by the graven image: for his molten image is falsehood, and there is no breath in them. † (Jeremiah 10:14). If the â€Å"graven image† is taken as the image of a dead, i. e. unrealistic fictional finalism, then the personality harboring such an image is bound to be â€Å"confounded† in his aspirations and his opinions, â€Å"brutish† in his outlook and expectations, and â€Å"false† in his interactions with fellow human beings.A practical example of such a person is a maniacal perfectionist whom no one could ever please or satisfy.ReferencesALFRED ADLER'S â€Å"INDIVIDUAL PSYCHOLOGY†. Retrieved April 10th, 2007 from http://www. s onoma. edu/users/d/daniels/adler. html.ALFRED ADLER. Retrieved 10th April 2007 from http://www. muskingum. edu/~psych/psycweb/history/adler. htm#Theory Alfred Adler (1870-1937). Retrieved 11th April 2007 from http://brainmeta. com/personality/adler. php.BIOGRAPHICAL SKETCH OF ALFRED ADLER. Retrieved April 11, 2007 from http://ourworld. compuserve. com/homepages/hstein/adler. htm In Cambridge Advanced learner’s Dictionary. Retrieved 11th April, 2007 from http://dictionary. cambridge. org/results. asp? searchword=opthamologist&x=12&y=8.In Encyclopedia Britannica. Retrieved April 3, 2007, from Encyclop? dia Britannica Online: http://www. britannica. com/eb/article-9003744.North American Society of Adlerian Psychology. NASAP : . Retrieved April 12th, 2007 from http://www. alfredadler. org/.Personality Theory, Alfred Adler. Retrieved April 12, 2007, from http://webspace. ship. edu/cgboer/adler. html.Psychography : Alfred Adler. Psychography. Retrieved April 9th 2007, from http://f aculty. frostburg. edu/mbradley/psyography/alfredadler. html.The Holy Bible, King James Version. THOMAS NELSON, PUBLISHERS. Nashville. Camden. Newyork. The Oxford Talking Dictionary, 1998 Edition.

Electronic Dance Music Essay

Electronic dance music (also known as EDM, dance music, club music, or simply dance) is a set of percussive electronic music genres produced primarily for dance-based entertainment environments, such as nightclubs. Dance music is generally produced for use by DJs and is most often presented in the context of a DJ mix.[1] So called â€Å"DJ producers† often perform live sets of their own dance music productions via a live PA.[2][3] In 2010, the acronym â€Å"EDM† was adopted by the American music industry and music press as a buzzword to describe the increasingly commercial US electronic dance music scene.[4][5] Other dance music communities have questioned the idea of EDM as blanket term for all electronic dance music and the term has instead been associated with specific dance sub-genres that became popular in the US, such as electro house and brostep.[6] A notable example of an early form of EDM is the 1977 collaboration between producer Giorgio Moroder and vocalist Donna Summer on the song â€Å"I Feel Love†, a groundbreaking dance/discothà ¨que hit with no traditional instruments.[7] The first era of electronic music comprises the instruments and music created prior to 1945.[8] The new field of information science inspired composers to explore the use of computers to compose and synthesize music, beginning in the 1950s.[9] The development of computer technology historically paralleled the development of the modern electronic music studio and synthesizer, leading to a cross-fertilization of the two fields that greatly benefited electronic music.[10] Birth of club music See also: Hi-NRG, Electronic body music, Euro disco, Synthpop, Italo disco, Electro (music), Garage music (North America), Post-disco and House music Hi-NRG (pronounced â€Å"high energy†)[11] is a style of uptempo disco or electronic dance music that originated in the United States and United Kingdom during the late 1970s. As a music genre, typified by a fast tempo (c. 140 bpm), staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated â€Å"intense† vocals, â€Å"pulsating† octave basslines, was particularly influential on the electronic dance music scene. Its earliest association was with Italo disco, which incorporated new American electronic sounds of post-disco and hi-NRG. Later, the genre became essential in the evolution of techno, and, to a lesser but important  degree, house music.[11] Artists like Daft Punk, Jus† ice or Calvin Harris represent only a small portion of those artists, coming mostly from a house music and electro-funk background, who gained a renewed interest in hi-NRG.[citation needed] Acid house and Rave See also: Acid house, Techno, Rave and Second Summer of Love Roland TB-303: The bass line synthesizer that was used prominently in acid house. Love Parade 1997 in Berlin. By 1988, house music had exploded in the UK and Germany with acid house becoming increasingly popular.[12] There was also a long-established warehouse party subculture based around the sound system scene. In 1988, the music played at warehouse parties was predominantly house. That same year, the Balearic party vibe associated with Ibiza based DJ Alfredo Fiorito was transported to London, whenDanny Rampling and Paul Oakenfold opened the clubs â€Å"Shoom† and â€Å"Spectrum,† respectively. Both night spots became synonymous with acid house, and it was during this period that the use of MDMA, as a party drug, started to gain prominence. Other important UK clubs at this time included â€Å"Back to Basics† in Leeds, Sheffield’s â€Å"Leadmill† and â€Å"Music Factory,† and in Manchester â€Å"The Haà §ienda,† where Mike Pickering and Graeme Park’s Friday night spot, â€Å"Nude,† was an important testing ground for American u nderground [13] dance music. Acid house party fever escalated in London and Manchester, and it quickly became a cultural phenomenon. MDMA-fueled club goers, faced with 2 A.M. closing hours, sought refuge in the warehouse party scene that ran all night. To escape the attention of the press and the authorities, this after-hours activity quickly went underground. Within a year, however, up to 10,000 people at a time were attending the first commercially organized mass parties, called raves, and a media storm ensued.[14] The success of house and acid house paved the way for Detroit Techno, a style that was initially supported by a handful of house music clubs in Chicago, New York, and Northern England, with Detroit clubs catching up later.[15] According to British DJ Mark Moore it was Derrick May’s†Strings of Life† that eased London  club-goers into acceptance of house, with Moore stating that: â€Å"I was on a mission because most people hated house music and it was all rare groove and hip hop†¦I’d play Strings of Life at the Mud Club and clear the floor. Three weeks later you could see pockets of people come onto the floor, dancing to it and going crazy – and this was without ecstasy.† [16][17] During the 1990s, events such as the Love Parade in Germany attracted large numbers of attendees, but this subsided after the start of the next millennium.[citation needed] One of the popular raves or EDM concert in the United States of America is Electric Daisy Carnival also known as EDC. EDC 2012 rave had over 85,000 people at Las Vegas Motor Speedway.[18] EDC at Las Vegas Motor Speedway has 6 stages for the DJ.[19] Not only there have 6 stages, they have amusement rides such as ferris wheel and numerous amounts of roller coasters.[20] Ever since EDC moved from Los Angeles to Las Vegas, they have been making more ticket sales.[21] EDC sold more than 230,000 tickets.[22] Also, another popular EDM concerts or raves in the United States of America is called Hard Summer.[23] Hard Summer is more an EDM concert that consist hip-hop, reggae, and rock that is infused with EDM style.[23] Los Angeles sold more than 40,000 tickets[23] North American commercialization of EDM Initially, electronic dance music achieved limited popular exposure in America when it was marketed as â€Å"electronica† during the mid to late 1990s.[24] At that time, a wave of electronic music bands from the UK, including The Prodigy, The Chemical Brothers, Fatboy Slim and Underworld, had been prematurely associated with an â€Å"American electronica revolution.†[25][26] But, instead of EDM finding wider mainstream success, it was relegated to the margins of the industry.[25] Despite the domestic music media interest in â€Å"electronica† during the latter half of the 1990s, American house and techno producers continued to travel abroad to establish their careers as DJs and producers.[25] By the mid-2000s, a number of factors led to an increased prominence for dance acts in North America that was larger than previously observed. Daft Punk’s performance at the 2006 Coachella Festival—the first in the duo’s Alive 2006/2007 tour, which featured the introduction of a unique pyramid-shaped stage design and lighting rig, influenced what Spindescribed as an â€Å"arms race† for visual  effects in electronic music. Spin also considered the act to be a â€Å"tipping point† for EDM, as the appearance fueled nostalgia of the electronica era, and introduced the duo to a new generation of â€Å"rock kids†.[25] In 2009, French house musician David Guetta began to gain prominence in mainstream pop music after the 2009 release of â€Å"When Love Takes Over† (featuring the vocals of Kelly Rowland), which was internationally popular on both pop and dance music charts. The success of the song led to further collaborations with other pop and hip-hop acts, such asAkon (â€Å"Sexy Bitch†) and The Black Eyed Peas.[27] His collaboration with the latter, â€Å"I Gotta Feelin g†, was a major success for both The Black Eyed Peas and Guetta—in the U.S., the song achieved sales of 249,000 downloads and debuted on the Billboard Hot 100 at number two, behind their previous single â€Å"Boom Boom Pow†.[28] The song eventually reached number 1 on July 30, 2009, and Billboard magazine reported that the song, along with â€Å"Boom Boom Pow,† helped the group maintain a 17-week run at the top of the Hot 100, the longest time period achieved by a single, duo or group.[29] The increased prominence of EDM was also fueled by concerts and festivals, such as Electric Daisy Carnival, that placed an increased emphasis on visual experiences (such as video and lighting effects), fashion (which The Guardian characterized as an evolution from the 1990s â€Å"kandi raver† into â€Å"[a] slick and sexified yet also kitschy-surreal image midway between Venice Beach and Cirque Du Soleil, Alice In Wonderland, Willy Wonka and a Gay Pride parade†), and the DJs themselves, who began to attain celebrity-like statuses. Websites such as YouTube and SoundCloud also helped fuel an increased interest in house and other types of electronic music, such as electro house and dubstep—both of which had also developed a hard rock-influenced sound popularized by producers such as Excision, Knife Party, Rusko and, most prominently, American producer Skrillex.[30][31] In 2011 Spin declared the start of a â€Å"new rave generation,† led by names such as Guetta, Canadian producer Deadmau5, and Skrillex, that was followed by a new wave of mainstream consumers.[25] Elements of EDM also began to emerge in songs by mainstream artists, as collaborations occurred with artists such as Afrojack and Calvin Harris.[25]EDM producers and DJs also began experiencing success playing club shows in U.S. cities such as Las Vegas; at the time, Diplo argued that promoters could generate higher profits from DJs  over other acts, stating that â€Å"a band plays, it’s 45 minutes; DJs can play for four hours. Rock bands—there’s a few headliner dudes that can play 3,000-4,000-capacity venues, but DJs play the same venues, they turn the crowd over two times, people buy drinks all night long at higher prices—it’s a win-win.†[25] Other major acts gaining prominence during this period, such as Avicii and Swedish House Mafia, elected to hold concert tours at major venues such as arenas alongside nightclub appearances; in December 2011, Swedish House Mafia became the first electronic music act to sell out New York City’s Madison Square Garden.[30] In November 2013, Music Trades magazine called EDM the fastest growing genre on the planet.[32] In addition to the growth of EDM through live events and the Internet, radio and television were also credited with helping to increase mainstream attention: analysts noted that sales of Calvin Harris’s â€Å"Feel So Close† and Swedish House Mafia’s â€Å"Don’t You Worry Child† dramatically increased after they began receiving contemporary hit radio airplay.[33] EDM songs and artists have been featured in television commercials and programs, while some artists have produced more pop-oriented songs to make their work more accessible to a mainstream audience.[34] In January 2013, Billboard introduced a new EDM-focused Dance/Electronic Songs chart, tracking the top 50 electronic songs based on sales, radio airplay, club play, and online streaming.[35] Corporate investment in EDM In accordance with the significant growth in mainstream popularity, EDM became increasingly attractive to outside investors, with some comparing it to the dot-com boom of the late-1990s. The beginning of corporate consolidation in the EDM industry began in 2012; especially in terms of live events. In June 2012, media executive Robert F. X. Sillerman (founder of what is now Live Nation) re-launched SFX Entertainment as an EDM-focused conglomerate, and announced his plan to invest US$1 billion for the acquisition of EDM-related properties. His purchases included a number of regional promoters and festivals (including ID&T, organizers of the annual Tomorrowland festival in Belgium), along with two nightclub operators in Miami, U.S., and Beatport, an EDM-oriented online music store.[36][37] The current Live Nation has also made investments into EDM, with its acquisition of Cream Holdings and Hard  Events, and announced a â€Å"creative partnership† with Insomniac Events in 2013;[38] CEO Michael Rapino believed that EDM was the new â€Å"rock ‘n’ roll† of the generation.[39][40][41] Advertisers have also increasingly associated themselves with the EDM industry; for example, alcoholic beverage companies such as Heineken and Anheuser-Busch have maintained marketing relationships with the Ultra Music Festival and SFX, respectively. Heineken also incorporated Dutch producers, such as Armin van Buuren and Tiesto, into their marketing campaigns. Avicii’s manager Ash Pournouri compared the increasingly commercial EDM industry to the transformation and commercialization of hip hop, which occurred in the early 2000s, arguing that the â€Å"corporate world† was beginning to â€Å"catch on† to EDM.[34] iHeartMedia, Inc. (formerly Cl ear Channel Communications), the largest commercial U.S. radio conglomerate, launched a dance radio format in Boston on December 20, 2012 under the brand Evolution 101.7. Marketed as the â€Å"first real EDM station† in the United States, the station, which changed its call letters to WEDX, was an extension of the Evolutioninternet radio channel on the company’s iHeartRadio service. The company also hired prominent British DJ and BBC Radio 1 personality Pete Tong to produce content for Evolution.[42] In June 2014, the dance/EDM format of WEDX was dropped in favor of country music; the format, however, was moved to the HD Radio subchannel of a sister station.[43][44][45] The 2014 business report by International Music Summit (IMS), estimates the EDM industry market worth $6.2 billion a year.[46] Criticism of commercial EDM Despite the growing mainstream acceptance of EDM, a number of producers and DJs, including Carl Cox, Steve Lawler, and Markus Schulz, have raised concerns that the perceived over-commercialization of dance music has impacted the â€Å"art† of DJing. Cox sees the â€Å"press-play† approach of a new generation of EDM DJs as not being representative of what he calls the â€Å"DJ ethos†.[30] Writing in Mixmag DJ Tim Sheridan questioned whether or not EDM was responsible for affecting the art of traditional DJing.[47] Sheridan contends that the emergence of â€Å"push-button DJs† who use auto-sync functions and pre-recorded sets featuring â€Å"obvious hits† rather than a diverse selection of music has led to a situation where â€Å"the spectacle, money and the showbiz [had] overtaken all—even notions of honesty.†[47] Some house  producers have openly admitted that â€Å"commercial† EDM required further differentiation and creativity. Avicii (whose 2013 album â€Å"True† featured songs incorporating elements of bluegrass music, such as its lead single â€Å"Wake Me Up†) stated that there was â€Å"no longevity† in the majority of EDM.[48] Deadmau5 has also criticized the homogenizationof EDM, stating that the music he hears â€Å"all sounds the same†Ã¢â‚¬â€he emphasized his diversification into other genres, such as techno and, in 2014, he released a techno song under the moniker â€Å"testpilot† for Richie Hawtin’s label, Plus 8. During the 2014 Ultra Music Festival, Deadmau5 made remarks attacking up and coming EDM artist Martin Garrix, and during his set later in the evening (where he filled in for Avicii, who was unable to attend due to medical issues), he played an edited version of Garrix’s song â€Å"Animals† remixed to the m elody of â€Å"Old McDonald Had a Farm†. Following the performance, Deadmau5 was also criticized on Twitter by fellow electronic musician Tià «sto for â€Å"sarcastically† mixing Avicii’s â€Å"Levels† with his own â€Å"Ghosts ‘n’ Stuff†, asking in response â€Å"How does one play a track sarcastically? â€Å"Am I supposed to sneer while hitting the sync button? Or is that ironic?†[49][50][51][52] In May 2014, the NBC comedy series Saturday Night Live parodied the stereotypes of EDM culture and push-button DJs through a Digital Short entitled â€Å"When Will the Bass Drop?†. The short featured a DJ named Davvincii—who is seen performing a number of unrelated tasks—including playing a computer game, frying eggs, and collecting money rather than actually mixing, and pressing a giant â€Å"BASS† button to cause the heads of attendees to explode.[53][54][55] Terminology The term â€Å"electronic dance music† was used in America as early as 1985,[56] although the term â€Å"dance music† didn’t catch on as a blanket term for the genre(s) until the second half of the 1990s, when it was embraced by the American music industry with their â€Å"Dance† charts (which continue to this day), as well as the consistent use of the term â€Å"dance music† in reference to artists in reviews.[56] In July 1995 Nervous Records and Project X magazine held their first award ceremony titled â€Å"Electronic Dance Music Awards.† [57][58] Writing in The Guardian journalist Simon Reynolds noted that music industry adoption of the term EDM was part of a drive to re-brand â€Å"rave culture† in the USA; an attempt to â€Å"draw line  between today’s EDM and 90s rave†.[59] While â€Å"EDM† has become the common blanket term for dance music genres in the USA, in many parts of Europe and online, in the UK the usage of â€Å"dance music† or â€Å"dance† is more commonly used.[60] What is widely considered to be club music changes over time includes different genres depending on the region and who’s making the reference, and may not always encompass electronic dance music. Similarly, electronic dance music sometimes means different things to different people. Both terms vaguely encompass multiple genres, and sometimes are used as if they were genres themselves. The distinction is that club music is ultimately based on what’s popular, whereas electronic dance music is based on attributes of the music itself.[61] Genres Main article: List of electronic music genres Just as rock, jazz and other musical genres have their own set of sub-genres, so does electronic dance music. Continuing to evolve over the past 30 years dance music has splintered off into numerous sub-genres often defined by their varying tempo (BPM), rhythm, instrumentation used and time period.[62] The broadest categories include house,techno, trance, hardstyle, UK garage, drum & bass, dubstep, progressive, electro, trap and hardcore. Electronic body music (EBM) is a music genre that combines elements of post-industrial music, EDM and synthpunk.[63] It first came to prominence in Belgium and was considered a part of the European New Wave movement.[63] Pure electronic body music is referred to as â€Å"old-school EBM† and should not be confused with aggrotech, dark electro or industrial music.[64] Production Typical tools for EDM production: computer, MIDI keyboard and mixer/sound recorder. In an April 2014 interview with Tony Andrew, the owner and founder of the Funktion-One sound system—considered a foremost model of audio technology and installed in venues such as Berghain, Output and Trouw—Andrew explains the critical importance of bass to dance music: Dance music wouldn’t be so successful without bass. If you think about it, we’ve really only had amplified bass for around 50 years. Big bass is only a couple of generations old. Before the invention of speakers that could project true bass frequencies, humans really only came across bass in hazardous  situations—for example, when thunder struck, or an earthquake shook, or from explosions caused by dynamite or gunpowder. That is probably why it is by far the most adrenaline-inducing frequency that we have. Bass gets humans excited basically. Below 90 or 100 Hz, bass becomes more of a physical thing. It vibrates specific organs. It vibrates our bones. It causes minor molecular rearrangement, and that is what makes it so potent as a force in dance music. The molecular vibration caused by bass is what gives dance music its power. It is what makes dance music so pleasurable to hear through a proper sound system.[65] Andrew also warns that too much bass, as well as too much sound overall, can be harmful and a â€Å"good sound engineer will understand that there is a window between enough sound to give excitement and so much that it is damaging.†[65] Festival goers, celebrate at the AustralianFuture Music Festival (2013) Festivals Electric Zoo Festival 2011 at the Hilltop Arena See also: List of electronic music festivals and List of Electronic dance music festivals Other festivals, including Lollapalooza and Coachella have increased the number of EDM acts represented.[citation needed] Coachella in particular took an adventurous path giving electronic acts a high profile in a time when they were seldom booked alongside rock bands, in the United States at least. Rawley Bornstein, an MTV music and talent programmer, described EDM as â€Å"the new rock and roll,†[66] as has Lollapalooza organizer Perry Ferrell.[67] Ray Waddell, touring editor at Billboard magazine, noted that festival promoters have done an excellent job at branding.[66] Tomorrowland, a popular EDM music festival in Belgium has amassed millions of followers through YouTube and other social media. Tomorrowland broadcast the show live over YouTube and over 16.8 million viewers tuned in. The 20 minute recap video of Tomorrowland in 2012 amassed over 90 million views on YouTube, a testament to the growing popularity of electronic dance music.[68]